
Onyx Tech Inc
Ficnova is an AI visual novel where every scene is written live, just for you.
What is Onyx Tech Inc?
An AI visual novel where you're not just the reader — you're the protagonist. Write your own lines, create your own hero, build your own story.
What if the story actually listened to you?
Ficnova is where visual novels meet total freedom. Every scene written by AI in real time, shaped by what you say and do — not what the developers pre-planned three years ago.
Be anyone you want:
One story you're a powerful knight storming castles. The next, a maid hiding secrets in a Victorian manor. Your character, built by you, lives across every world
Create your hero once — name, look, personality — and bring them into any story on the platform
Feel the story:
Chase romance that actually reacts to your moves — flirt, hold back, or go all in
Explore worlds full of intrigue, danger, and choices that carry real weight
Experience endings you earned — not endings you were assigned
Become a creator:
Have a story idea burning in your head? Ficnova builds it — generates the world, designs the characters, writes the scenes, and hits you with twists you didn't plan. You're both the author and the player.
Dozens of worlds. More every month. Free to start.
Ready to launch?
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What other founders did to grow.
2722 dispatches from hundreds of founders, pulled from the week's best podcasts.
We spent a lot of time looking at okay who are the people when they join lemlist they never churn. I called it like the magnet persona. The magnet persona is the persona that's going to attract a lot more customers. For us in our space the magnet persona it's really the sales rep, because we're a tool that drives more revenue.
Find The Magnet Persona Who Never Churns And Aim Everything At Them
After plateauing at $10M ARR, Guillaume identified the cohort that never churned, his magnet persona, and refocused the whole product around them. For lemlist that was sales reps, which then pulled in every company that wanted more revenue and broke the plateau.
instead of going straight into filming after a script I go through my entire script and annotate it with exactly what is going to happen on screen during each of those times whether that be b-roll or a visual or an or an animation or talking head footage
Pre-edit the script with visual annotations
Insert a visual-annotation pass between script and camera: mark every line with the b-roll, animation, or graphic that will accompany it. Filming captures exactly the footage editing needs, you avoid "I wish I had b-roll of X" regrets, and the final cut is more dynamic. Front-loads the mental editing cost; turns the editing day into pure execution.
There's a play for whatever you're stuck on.
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